![]() Nike picked that spot to debut the shoes as a reference to the city's Haight-Ashbury neighborhood, where the Dead were active early in their career. The orange one will release first, exclusively at legendary San Francisco skate shop FTC, on July 18. They look like a product emerging from an acid dream. Prompting his rhapsody is the Grateful Dead x Nike SB Dunk Low collaboration, a three-shoe set of impossibly furry sneakers inspired by the band's ubiquitous dancing bear logo. They're gonna inspire me to get to ever new heights." "These shoes are so electric and eclectic. ![]() "These shoes are so colorful," Walton says. Which brings us to the whole harmonic convergence thing. This passionate hum of the 67-year-old Walton, a two-time NBA champion-turned-sportscaster, is invited by topics as diverse as PAC-12 basketball, his unending love of the Grateful Dead, the majesty of the great outdoors, and sneakers. Wherever he is-at home in San Diego or, as his trippy Zoom background suggests, beaming in from some astral junction-his coordinates have not dimmed the warm and vibrating glow of his universal enthusiasm. ![]() 1970, nicknamed the Steal Your Face after appearing on the 1976 live album of that name."This is a harmonic convergence of the highest order," declares Bill Walton, uncertain in the moment that he is still on planet Earth. Grateful Dead logo, originally designed c. One of his close friends from involved in that world was musician Bob Thomas of the band the Golden Toad, who (in addition to working on some of Owsley’s labs) would create the art for Live/Dead, as well as the dancing bears and the Dead’s skull-and-lightning bolt Steal Your Face logo. ![]() Along with his partners, he was an enthusiastic attendee of the early Renaissance Faires in California, countercultural events that grew from the same underground arts scene as the Grateful Dead, topic of a great book by Rachel Lee Rubin. Owsley had many fascinations and obsessions, from alchemy to coffee, from ballet to hi-fi stereo. “Turnaroumd,” Jorma Kaukonen & Jack Casady (with Joey Covington), from the Owsley Stanley Foundation release Before We Were Them The Owsley Stanley Foundation has dedicated itself to preserving many of Bear’s Sonic Journals of other artists, so far including the New Riders of the Purple Sage, the Allman Brothers Band, Doc & Merle Watson, Jorma Kaukonen and Jack Casady, and-most lately- Commander Cody and His Lost Planet Airmen. Stanley’s recordings can be heard on many Grateful Dead releases from the late ‘60s and early ‘70s, such as the incredible Dick’s Picks 4, recorded at the Fillmore East in February 1970. Owsley Stanley at the Fillmore East, February 1970. It’s a story inseparable from the history of the Grateful Dead - and, for that matter, perhaps the entirety of western culture over the past half-century. ![]() They’re marching.īack cover of Bear’s Choice, art by Bob Thomas, 1973Īlso known as Bear, and in addition to his work as a trailblazing pioneer of live concert sound, Owsley Stanley was also the most legendary underground LSD chemist in history. And he would’ve told you the bears aren’t dancing. The “Bear” was Owsley Stanley, and it was the first release of music from he called his Sonic Journals, verite audio documents of his work as the Grateful Dead’s first sound engineer. The album was a tribute to Ron “Pigpen” McKernan, who’d passed away that spring. The bears first appeared in July 1973 on the Grateful Dead live album, The History of the Grateful Dead, Volume One: Bear’s Choice. What’s With the Bear(s)? Supplementary NotesĪll those dancing bears might look cute and cuddly, but there’s a lot more to them. ![]()
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