Abraham is a known patron of several surviving manuscripts, and he hired Benaiah to work on several of them. The lower text of the above folio, recovered through X-Ray Fluorescence Imaging at Stanford University. Journal of Near Eastern Studies The San Palimpsest: Materializing the Codices L ONORE CELLARD, Colleg e de France Introduction The analysis conducted here demonstrates that the fragments did indeed form a complete codex, and Considered one of the most important documents in one which when recontstructed reveals an early non- the history of the transmission of the Qur n. The upper text covers Quran 2 ( al-Baqarah ), verses 265271. 1 Part of a sizable cache of Quranic and non-Quranic fragments discovered in Yemen during a 1972 restoration of the Great Mosque of Sanaa, the manuscript was identified as a palimpsest Quran in 1981 as it is written. Sanaa manuscript Recto side of the Stanford '07 folio. Even though Benaiah doesn’t identify himself in the manuscript, his style is so distinctive that the writing and the decorations of the Sana’a Pentateuch match other manuscripts where he has added his name.ĥ) The Sana’a Pentateuch was commissioned by a man named Abraham ben Yosef al-Israili. The Sanaa palimpsest (also an’ 1 or DAM 01-27.1) or Sanaa Quran is one of the oldest Quranic manuscripts in existence. The ink is very dark, this too typical for Yemenite Hebrew manuscripts from the Middle Ages.Ĥ) The Sana’a Pentateuch was made by a scribe named Benaiah ben Saadia ben Zekhariah ben Marga (d. The paper used has an orange tinge, which is typical for Yemenite Hebrew manuscripts from the Middle Ages.ģ) The Sana’a Pentateuch is written in Hebrew, using the type of square script that developed in Yemen. 15v).Ģ) The Sana’a Pentateuch is written on paper. Dark ink on orange-tinged paper, typical for Yemenite Hebrew manuscripts from the Middle Ages (Sana’a Pentateuch, British Library, Oriental 2348 f.
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